Line 6 POD X3 - Steve Vai Tone

Amp Model: Line 6 Modern Hi Gain
Cab model: 96 Brit Celest V30
Bass: 90%
Mid: 92%
Treble: 74%
Pres: 74%
Drive 50%

Delay: Digital Delay:
Time: 880ms
Mix: 30%
Bass: 50%
Treble: 50%
Fdbk: 0%
Post Config

Reverb: Medium Hall
Predly: 60%
Decay: 50%
Tone: 50%
Mix: 52%
Post Config

Clase 1: Armónicos Artificiales

Esta es la serie de videos sobre Armónicos artificiales que publiqué en YouTube, consta de dos videos, el primero explicando la técnica y el segundo resolviendo algunas dudas sobre el equipamiento necesario para que la técnica suene lo más espectacular posible.

Line 6 POD X3 - Hi Gain models

Line 6 POD X3 - 4 Hi-Gain Models

Four of the best Hi Gain Models that can be found on the Line 6 POD X-3, just the Amps emulation, without any effect or stomp box simulation added. Played with an Epiphone Les Paul Standard. The models are, in order of appearence:

1 - Criminal ( * based on a Peavey 5150 II)
2 - Deity Lead (* based on a Diezel VH4, Channel 4)
3 - Deity´s Son (* based on a Diezel Herbert)
4 - Treadplate (*based on a Mesa Boogie Dual Rectifier)
5 - 1993 Solo Head (*based on a Soldano SLO-100) Right Channel / Left Channel 1 - Criminal

(*) These trademarks are use solely to identify the products of those manufacturers whose tones and sound were studied during Line 6´s sound model development.

Line 6 POD X3 - 4 modelos de Alta ganancia

Cuatro de los mejores modelos de alta ganancia que se pueden encontrar en el Line 6 POD X3, unicamente la emulación de amplificador, sin agregado de effectos. Grabado con una Epiphone Les Paul Standard. Los modelos en order de aparición son:

1 - Criminal ( * basado en un Peavey 5150 II)
2 - Deity Lead (* basado en un Diezel VH4, Channel 4)
3 - Deity´s Son (* basado en un Diezel Herbert)
4 - Treadplate (*basado en un Mesa Boogie Dual Rectifier)
5 - 1993 Solo Head (*basado en un Soldano SLO-100) Canal derecho / Canal Izquierdo 1 - Criminal

(*) Las marcas antes mencionadas son utilizadas unicamente para identificar los modelos sobre los cuales Line 6 se baso durante el desarrollo de sus productos.

Line 6 POD X3 - Vox Models

Line 6 POD X3 - Vox Models Demo

VOX (*) Models that can be found on the Line 6 POD X-3, just the Amps emulation, without any effect or stomp box simulation added. Played with an Epiphone Les Paul Standard. The models included in this videos are:

- Class A-15 (*based on a VOX AC-15 Channel 1)
- Class A-30 Fawn (*based on a VOX A-30, on the normal channel of a Non Top Boost Vox AC-30)
- 1967 Class A-30 Top Boost (* Based on a VOX AC-30 Top Boost)

(*) These trademarks are use solely to identify the products of those manufacturers whose tones and sound were studied during Line 6´s sound model development.

Line 6 POD X3 - Modelos VOX

Modelos Vox que se pueden encontrar en el Line 6 POD X3, unicamente la emulación de amplificador, sin agregado de effectos. Grabado con una Epiphone Les Paul Standard. Los modelos en order de aparición son:

- Class A-15 (*basado en un VOX AC-15 Canal 1)
- Class A-30 Fawn (*basado en un VOX A-30, en el canal normal, sin Top Boost)
- 1967 Class A-30 Top Boost (* Basado en un VOX AC-30 Top Boost)

(*) Las marcas antes mencionadas son utilizadas unicamente para identificar los modelos sobre los cuales Line 6 se baso durante el desarrollo de sus productos.

Line 6 POD X3 - Marshall models

Line 6 POD X3 - Marshall Models

Most of the Marshall Models that can be found on the Line 6 POD X-3, just the Amps emulation, without any effect or stomp box simulation added. Played with an Epiphone Les Paul Standard. The models included in this videos are:

- Brit J-900 Clean (* based on a Marshall JCM900 clean settings)
- Brit J-900 Dist (* based on a Marshall JCM900 Distorted sound)
- Brit J-800 (* based on a Marshall JCM800)
- 1968 Plexi Variac´d (* based on a Super Lead as used by EVH)
- 1965 Plexi 45 (* based on a Marshall JTM-45)
- 1968 Plexi Lead (* based on a Marshall Super Lead)
- 1968 Plexi Jump Lead (*based on a Marshall Super Lead with Ch1 and 2 jumpered together

(*) These trademarks are use solely to identify the products of those manufacturers whose tones and sound were studied during Line 6´s sound model development.

Line 6 POD X3 - Modelos Marshall

Una gran cantidad de modelos Marshall que se pueden encontrar en el Line 6 POD X3, unicamente la emulación de amplificador, sin agregado de effectos. Grabado con una Epiphone Les Paul Standard. Los modelos en order de aparición son:

- Brit J-900 Clean (* basado en un Marshall JCM900)
- Brit J-900 Dist (* basado en un Marshall JCM900)
- Brit J-800 (* basado en un Marshall JCM800)
- 1968 Plexi Variac´d (* basado en un Marshall Super Lead modificado por EVH)
- 1965 Plexi 45 (* basado en un Marshall JTM-45)
- 1968 Plexi Lead (* basado en un Marshall Super Lead)
- 1968 Plexi Jump Lead (*basado en un Marshall Super Lead con los canales 1 y 2 unidos)

(*) Las marcas antes mencionadas son utilizadas unicamente para identificar los modelos sobre los cuales Line 6 se baso durante el desarrollo de sus productos.

Preset Line 6 POD X3 Zakk Wylde Tone:

Amp Model: 1990 Brit J-800 (Bass: 50% - Mid: 77% - Treble: 79% - Pres: 37% - Drive: 74%)
Cab: 4x12 Brit Celest T-75´s

Stomp: Classic Distortion ( Drive: 17% - Gain: 50% - Tone: 50%)

Mod: Analog Chorus (Deep: 66% - Bass: 50% - Treb: 50% - Mix 37% - Pre Config)

Reverb: Tiled Room (Predly, Decay and Tone: 50% - Mix 37%)

Keep Rocking

Martin

Preset Line 6 POD X3 Metallica Songs:

Amp Model: Big Bottom
Cabinet: Bass 4x12 Green 25s
Mic: 112 Dynamic Mic

Eq: Bass: 83% - Mid: 42% - Treble 78% - Pres: 90% - Drive 65%

No Stomp nor Effect.

Reverb: Brite Room
Set: Predly 14% - Decay: 73% - Tone: 50% - Mix: 30%

This is the preset for All Nightmare Long, Cyanide, Judas Kiss and Broken Beat & Scarred

Regards...

Martin
www.youtube.com/MartinMoyan0